You (TV)☆☆ (2/5) and The End of the Fucking World (TV)☆☆☆☆☆ (4.5/5) 1/8/19

You has too much soap and not enough suspense, but TEotFW might get a little deeper under your skin than you’re comfortable with.

You is the miniseries adaptation of Caroline Kepnes psycho stalker boyfriend bestseller. I’d read the book and not been terribly impressed, but the series stars the (sexy but much-too-skinny-here) Penn Badgley and features one of my favorite actors, Lou Taylor Pucci, miscast here as a standard millennial fuckboy.

You isn’t very good, but it’s certainly watchable, especially if you want to watch something while you knit or play solitaire or bake cookies. It’s classic glossy basic cable soap, with the bonus of added murders and a limited time commitment – although even 10 episodes stretch the plot a bit thin.

You suffers dramatically, though, because it really wants you to think its psycho, Joe, is dreamy. A murderer, but dreamy. The problem is, you don’t like him although you know you shouldn’t, you’re constantly being encouraged to like him. Of course the actor is, himself, dreamy and spends a lot of time staring longingly and flashing his impossible smile, but the show also backs him up with a sympathetic backstory and an (effective) relationship with an at-risk neighbor kid.

The sweet surprise is that things end really badly anyways.

The End of the Fucking World (which is a comic book adaptation) also deals with questions of identity vs perception, but has the opposite problem. When its psycho starts planning to murder the object of his (possible) affections, the show is actually difficult to watch. I was creeped by him, worried about her, and OMG I CAN’T.

But I did, and I was – eventually – very glad. The acting is terrific, the twists are frequent and satisfying, and Jessica Barden is stunning. I won’t say much more so as not to spoil anything, but it’s a treat for an adventurous viewer.

BlacKkKlansman ☆☆☆☆☆ (4.5/5) 1/1/19

Spike Lee’s best movie.

BlacKKKlansman succeeds on pretty much every level, as film and polemic. I definitely think it should be seen by everyone.

The performances are exceptional, but my favorite thing is how canny it plays as 70’s pastiche. That’s a film genre of its own nowadays, and BlaKKKlansman hits its marks with lovely subtlety. There’s a shot of Washington crossing a field to examine cut out racist silhouettes that have been used for target practice that literally made my heart swell with appreciation for its nostalgic craftmanship.

But I’m going to call BlacKKKlansman out for its bullshit, too.

Lee doesn’t trust the true story to be dramatic enough, so he tarts it up with a closeted Jewish cop and an improbable bombing plot. More focus on the college group and their goals and guest speakers would have given the film gravitas and power and not seemed as dramatically suspect. As the final news footage shows, it wasn’t necessary to reach so far for context or relevance. As to the use of that footage… meh… it’s a choice, and Lee has never trusted his audience to connect the dots.

And a movie this good should’t have fat jokes. Period.

Hearts Beat Loud ☆☆☆☆ (4/5) 12/28/18

A feel-good sleeper with a great cast

I’m just going to say this up front: Blythe Danner is a fucking beast. She kills it in this movie in a very remarkable way. Toni Collette is having a great year, too, and although this isn’t her best role of the year (that’s Hereditary, which is on a par with her career best), her particular, eager warmth is always welcome.

If Hearts Beat Loud has a flaw, and it probably does, it’s the amount of time it devotes to Nick Offerman’s schlubby, self-absorbed dad. It’s a terrific performance, but I wanted more Kiersey Clemons, more sweet lesbian romance, less middle-aged ennui. Your Offerman mileage will vary according to your affection for/identification with him.

It’s a relief to watch a movie that hits some familiar emotional beats while still feeling so casual and personal. The stakes aren’t terribly high, but they feel honest and so the modest catharsis feels earned.

I’m a little in love with this one.